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The Social History of Smoking

George Latimer Apperson

Chapter 10:

Undergraduates, like men of letters, did not pay much attention to the conventional attitude of society towards tobacco, and pipes maintained their popularity in college rooms. Thackeray, in the "Book of Snobs," describes youths at a University wine-party as "drinking bad wines, telling bad stories, singing bad songs over and over again. Milk punch—smoking—ghastly headache—frightful spectacle of dessert-table next morning, and smell of tobacco." But the satirist is often tempted to be epigrammatic at the expense of accuracy, and this picture is at least too highly coloured. In the recently published memoir of "J"—John Willis Clark—some reminiscences of the late Registrary are included; and "J" does not recognize Thackeray's picture as quite true of the "wines" of his undergraduate day, i.e. about 1850. "They may," he says, "have 'told bad stories and sung bad songs,' as Thackeray says in his 'Book of Snobs.' I can only say that I never heard either the one or the other." But certainly there was noise, and there was smoke—plenty of it. "Conversation there was none," says "J," "only a noise. Then came smoke. In a short time the atmosphere became dense, the dessert and the wine came to an end, and it was chapel time (mercifully)." One story Clark tells of an extraordinary attempt to smoke. Referring to the compulsory "chapels," he says that as a rule everybody behaved with propriety, whether they regarded the attendance as irksome or otherwise. But, he admits, "'Iniquity Corner,' as the space at the east end on each side of the altar was called, may occasionally have effectually sheltered card-playing; but when a young snob went so far as to light a cigar there, he had the pleasure of finishing it in the country, for he was rusticated. It was on a cognate occasion in Jesus College, in which cobblers' wax played a prominent part, that Dr. Corrie dismissed the culprit, after a severe lecture, with these admirable words: 'Your conduct, sir, is what a Christian would call profane, and a gentleman vulgar.'"

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The Social History of Smoking

George Latimer Apperson

Chapter 2:

It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

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